In today’s Daily Critique Craig looks at a dramatic architectural photograph and discusses the following:

 

- looking at a diffraction chart for your lenses so that you understand when it is no longer worth it to stop down to gain more depth of field

 

- formally symmetrical framing in architectural photography

 

- converting to black and white to simplify the overall image and increase the impact of the main subject

 

- multiple ways to work with contrast to make a subject appear to move towards the viewer