In today’s Daily Critique Craig looks at a strong architectural interior photograph and discusses the following:
- getting low with a wide angle lens to get closer to low subjects to create a foreground for wide angle scenics
- using leading line to move the eye of the viewer through the image
- underexposing in post to accentuate the flow of light in an image
- working with archetypal ideas
- color theory
- adding some detail to areas that are clipped to black