In today’s Daily Critique Craig looks at a strong architectural interior photograph and discusses the following:

 

- getting low with a wide angle lens to get closer to low subjects to create a foreground for wide angle scenics

 

- using leading line to move the eye of the viewer through the image

 

- underexposing in post to accentuate the flow of light in an image

 

- working with archetypal ideas

 

- color theory

 

- adding some detail to areas that are clipped to black