In this week's Photo of the Week on the Daily Critique Craig looks at a powerful still life photograph and discusses the following:
- shooting in black and white to become a better photographic composer
- the power of the cinematic convention of the man made vs. the natural
- implied motion and natural and unnatural sequencing
- subject placement, emphasis, and the frame for your image
- the power of archetypal subjects
Metadata - IR converted Nikon D200, 45mm EFL, ISO 200, f8.0@ 1/60th